Poliziano in the rooms for the tournament sings of the birth of love. Poem in the vernacular in the eighth.
Love: inevitable choice, feeling that colors the life of every person. Simonetta Vespucci is the muse, Cupid and Julius are the protagonists of the expression of the highest birth of love, falling in love: the meeting with Simon and Julius of the disturbance which follows the psychological disturbance that gives rise to the desire to seek within themselves the way of knowledge. Feeling unreal tangible divine as the divine figure of Simonetta "-or whatever you are, sovereign virgin nymph or goddess" (verses 49 and 50), as well as "white as she and the white" (verse 1) - "all those hearts Love captures, kills or wounds," ( compared to three mythological figures: Thalia, muse of lyric and Minerva, goddess of war, Diana, goddess of hunting).
Simon is always revived as a figure out of the human form, top, top is like the feeling of falling. The preciousness of the images reflects the perfection of this moment, the birth of love, the psychological process of perfecting the moral core of the poem.
Socrates: "Do not ask, Ippotale, if you love someone or not. I know that not only love, but you have already gone far along the path of love. The other things are worth very little, but I do not know how, I received this gift from God: to guess at a glance who loves and is loved "(Plato: Dialogues on friendship and love).
In this essay for the tournament's language Poliziano reaches its highest form as they are moved to higher levels already set the scene in the Florentine humanism: the identification to a form that combines the simplicity, elegance, the presence of learned quotations, literary allusions, caring for musicianship and harmony of expression. With strict attention to the consonance and assonance, words become music.
Alberto, Maria Piras
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