Why Should I Use Veet For My Genital Area

amenus The locus of love:

Within the Laurentian privileged circle that moves in the cultural climate of the fifteenth century Florentine Angelo Poliziano outstanding figure who, composing in the vernacular but also in Latin and greek, unable to consolidate a culture ferrata and a stylistic form admirable. In 1475, to celebrate the success of peace among the Italian powers for his own work, Lorenzo the Magnificent held a tournament to which Poliziano took part with a piece of rooms in the eighth, or the meters used by Boccaccio, giving life to 'Rooms for the Joust '. The work becomes the prophet of love that Plato is here tested by Giuliano, brother of Lorenzo in reality, Simonetta Vespucci, a Florentine woman. The poet goes into creating a character, Iulus, dedicated solely to hunting, body care and shall not in contempt of love, Cupid, then weaves a deception to take revenge through which Julian convinced to follow a deer, comes encounter with the nymph Simonetta which falls madly in love. In addition to a hymn to love, 'Rooms for the Joust' are a celebration of beauty and youth, a characteristic that emerges strongly from the description of the place in which they move Iulus and the nymph. In fact, every element is configured as part of a lush spring that seems to want to accompany the birth of new love and the environment of the sentiments expressed in his own nature tried by the poet. E 'then the fundamental recurrence by the police, typical topos of pastoral poetry, the locus amenus . It almost seems that the scene described was deprived of time and space to be delivered to a landscape dream in which every single detail tends to praise the love that is understood as a force triumphant, element, this, that sends a number of references in the literature ranging from Greek and Latin literature to the Petrarchan. The figure of Venus, which is located inside the room, noted the reference to the culture of neo-Platonism, in which love is rightly regarded as the highest triumph of the soul. Within the docta varietas , the tendency to the variety of cultural traits, the police, in its rooms, then favors the powerful force of Love.

Luana Cau

France 1400 Woman Burn

Poliziano Poliziano's Stanze and the ideal of docta varietas

The rooms for the tournament are a poem composed in the eighth Angelo Poliziano in 1475 at the event organized by Lorenzo the Magnificent to celebrate the peace agreement reached between the principal Italian powers. However, as stressed
Ghino Ghinassi in his essay entitled The vulgar literary in the fifteenth and Poliziano's Stanze "to sing the carousel is manifested on several occasions, only the intention." The work it is proposed to sing mostly platonic love of Giuliano, Lorenzo's brother and winner of the tournament, a Florentine woman, Simonetta Vespucci.
In the first book tells the story of the first meeting between the two, which occurred as a result of a deception hatched by Cupid, because he wanted revenge on Julius that, previously, had preferred the hunt for love. From these verses, one can see similarities in the description of the young in particular, with the poetry of Dante and Petrarch. Simon, as well as Laura and Beatrice, has the character of a divine creature, enveloped by a white light ("she is Candida yeast and the dress ", v1) and it is so beautiful that his figure light and conditions nature. Regarding the influence of Petrarch, the identification of the woman he loves with a white deer is already in a famous sonnet of the Canzoniere. Are also clear references to poetry Clear, fresh and sweet water, the most significant of these in verse 40 (" levossi foot in a womb filled with flowers ") recalling the verse of Petrarch (" a rain of flowers over 'the her womb") . Simon is the talk of the divine (" every breeze silent on her divine speech , v15), which is also present in Dante's poetry So gentle and so honest it seems (" That every tongue Deven trembling mute "). She is described as humble and flat (v17) stilnovisti typical character of the woman, and also embodies the honesty, kindness, the beauty and the loveliness, typical procedure in the police, again derived stilnovisti. Verse 16 (" and sings every little bird in his Latin ) plus resumes to poetry Fresh new rose of the famous poet Cavalcanti ( and sing the auselli / each in its own language") .
But references to other authors are numerous, among them also Boccaccio, in relation to the meter used, Ficino as regards the conception of love that emerges, but also authors of ancient poetry. The beginning of the speech by Julius ("-O what you're, virgin queen, or goddess-nymph or but some goddess m'assembri; / if a goddess, perhaps' you are my Diana; / s mortal, who you are me some ") refers in fact to the words spoken by Odysseus, Nausicaa when it appears before his eyes ( You are mortal or goddess? Goddess If you are [...] [...] Artemis certain beauty and grandeur strike me as the figure ").
One can therefore conclude that in this poem is not fully achieved the ideal of Poliziano docta varietas, ie, the mixing and blending of elements drawn from various sources.

Federica Bozzo

Mario Bross Do Pobrania

Angelo Poliziano: love Love in the rooms of the carousel

the "rooms for the tournament," originally created as the theme encomiastic, aimed at celebrating the victory of Giuliano, brother of Lorenzo the Magnificent.
rooms, a poem in octaves, is, in part in the tradition of chivalric romances, although to be honest, looks more similar to the compositions in the eighth, a purely humanistic overlap with mythology. In fact
The rooms do not have close ties with any kind; rather reflect the culture and literary sensibility of Poliziano. The work sings
platonic love for Julian Simonetta Vespucci, the Florentine noblewoman.
In fact, the work will remain unfinished, including the death occurred, at different but equally tragic, the two protagonists.
Giuliano is portrayed as a young, beautiful and courageous, fond of hunting, away from love ..
Cupid, in revenge for this, he appears during a hunt, a beautiful young doe that chases without ever reaching it.
Eventually the deer disappears, transforming it into a nymph, dressed in white:
E 'in the beautiful Simonetta Julian falls in love.
In the second book of 'work, Venus decides that Giuliano shows his virtues and his talents in a carousel.
Here the book stops.
There is, in this work, the triumph of beauty and youth, triumphant in the background of nature in spring.
E 'also have a significant influence Petrarch's, especially in the allegory of the deer, but they also note references to Dante, Boccaccio, and sometimes the Latin literary tradition.
The theme of love and Venus also indicates Neoplatonic influences: love is the foundation of the universe and guides the creatures in search of God
All these many literary references are admirably rendered Poliziano: love is not only a human experience but also elevates us to higher levels of knowledge.


David Pirisi

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bivalent.

Angelo Poliziano, a humanist of the second half of '400 in his main work "rooms for the tournament" highlights two issues. The first is a encomiastic reason, is meant to enhance the worship, especially the Medici Giuliano de 'Medici, the second is a subject not entirely original, but analyzed by many writers over the centuries: the platonic love. Very important step is what is the appearance of the young beautiful Simonetta Iulio.Egli not believe in true love, but preferring to hunt this feeling, is tricked by the god Cupid, who creates a fake deer, which will take him chased by Julius to meet from the nymph in Simonetta s'innamorerà perdutamente.Questo meeting, can only be called love. The description of it, or rather the cause wild is described based on two important styles that have determined the compositions prior to Poliziano. First Provencal style moments was precisely the relationship between man and woman where the latter is to be further enhanced so as to be subservient. In these octaves are the colors that recall the style used to describe Simon are subtle and are to indicate all the sweetness and goodness of his beloved. (Egv1 she is white and the white dress ). According style to stand out, no less important is the dolce stil novo, to whom Dante was important exponent. The style says a new concept of love and as a result of the woman who becomes the woman angel, because it belongs to the power and responsibility to intercede between man and God (eg v.3 dall'aurea head ; v.4 humbly proud ) all this is to indicate and emphasize how much platonic love, affected any kind of writer and writing. For decades it was this feeling that has a dual aspect, in fact, love is not only brings joy and happiness, but also pain, suffering, suffering if their woman-angel, though good and gentle man who did not spare the feelings eloggia and both enhances it. Possibility is that even in the eighth riportatat of Poliziano, in fact, love is determined by the goddess Aphrodite, his humor and especially his happiness (egv23 choirs Love captures, kills or wounds, with whom she or sweet talk or sweet ride .). Extreme example of this is Catullus, up servile to the extreme for its beautiful Lesbia that he loves so much, so dies the terrible pains of love, because she loves everyone except his humble poet who dedicated her passionate poems (eg poem 5 , poem 51). The Latin poet in the poem only 72 Verant understand who is the woman who so loved dinfatti despises the harsh words.

Federica Mastiff

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The rooms of the Police and the return of Petrarch reason

"The Rooms for the tournament" is a poem written in the eighth in 1475 by Angelo Poliziano.L 'opportunity for which he was born this was the victory of Giuliano de' Medici to a "carousel" ( or public games), organized by his famous brother Lorenzo to celebrate a successful diplomatic operation, in 1474, led to a major peace agreement between the principal Italian powers.
The work, however, is not intended only as a tribute to Giuliano de 'Medici, but also as a celebration of Platonic love it to Simonetta Vespucci: love it has a vital role in the work, as it acts as "key" through which to open the hearts of the young man who, for the first time, falls in love.
What captures the spirit of Julian in the history and beauty, happiness, and incorruptibility of the girl who looks like a ray of light on the scene of the story.
The description of the girl, who personifies Simonetta, the nature of the spiritual and the carnal Petrarchan poetry: for example you can find the reason of the burning eyes of love in the Forty-room " Folgoron the eyes of a sweet serene, / where Cupid keeps his face concealed, / of the air attract all of the amenities around you, / wherever she turns those love, "which Petrarch 'Clear, fresh and sweet water' said: '[...] where Love co' lovely eyes opened my heart ";
or, to cite other examples, the divine aura (" or what you are, sovereign virgin nymph or goddess , room 49), stance ("the sweet go gentle ") and rice (or sweet talk she or sweet ride ") that Poliziano describes forty-fifth in the room, have very similar features to the lines 55-58 of ' Clear, fresh and sweet water ' which state:" She was born in detention for paradiso. / d So burden ' oblivion / the divine bearing / and 'the face and the words' her sweet smile. "
addition, there are elements of Neo-Platonism of Marsilio Ficino, who believed that love was the foundation of the universe (since it is through it that is the creation) as it appears to have a key role in the work.

Poliziano's style, therefore, combines the various aspects that characterized the culture of his time, blending harmoniously, but not giving up a consistent style and original from this show.

Eugenia Capula

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"ROOMS FOR THE CAROUSEL OF POLICE: LOVE AND LOVE"

Poliziano in the rooms for the tournament sings of the birth of love. Poem in the vernacular in the eighth.
Love: inevitable choice, feeling that colors the life of every person. Simonetta Vespucci is the muse, Cupid and Julius are the protagonists of the expression of the highest birth of love, falling in love: the meeting with Simon and Julius of the disturbance which follows the psychological disturbance that gives rise to the desire to seek within themselves the way of knowledge. Feeling unreal tangible divine as the divine figure of Simonetta "-or whatever you are, sovereign virgin nymph or goddess" (verses 49 and 50), as well as "white as she and the white" (verse 1) - "all those hearts Love captures, kills or wounds," ( compared to three mythological figures: Thalia, muse of lyric and Minerva, goddess of war, Diana, goddess of hunting).
Simon is always revived as a figure out of the human form, top, top is like the feeling of falling. The preciousness of the images reflects the perfection of this moment, the birth of love, the psychological process of perfecting the moral core of the poem.
Socrates: "Do not ask, Ippotale, if you love someone or not. I know that not only love, but you have already gone far along the path of love. The other things are worth very little, but I do not know how, I received this gift from God: to guess at a glance who loves and is loved "(Plato: Dialogues on friendship and love).
In this essay for the tournament's language Poliziano reaches its highest form as they are moved to higher levels already set the scene in the Florentine humanism: the identification to a form that combines the simplicity, elegance, the presence of learned quotations, literary allusions, caring for musicianship and harmony of expression. With strict attention to the consonance and assonance, words become music.
Alberto, Maria Piras

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Love "room for the tournament," the style of Poliziano Le Stanze

was in January 29, 1475 that Lorenzo the Magnificent, ruler of Florence, decided to organize a tournament commemorating the peace agreement between the principal Italian powers, signed the previous year. Precisely because of this tournament the humanist poet Angelo Poliziano gave birth to a poem, considered his masterpiece, the "rooms for the tournament" and this poem, however, remained unfinished at the death of Giuliano de 'Medici, Lorenzo's brother and protagonist of the poem, under the name of Iulus young handsome and very experienced in the hunting, but contemptuous of love, and therefore subject to the anger of Cupid, with a cunning ploy that brings the sight of the beautiful nymph Simonetta. The platonic love between the two is the theme at issue in the poem, which is very unusual, because the work is a poem in "eighth" and therefore purely celebratory games and races, but the environment of the carousel by which hosts the event is none other than un'espediente, as we see clearly Ghino Ghinassi, which does not prevent the police to enter certain topics and themes according to his taste, quotes from other famous authors, such as the white doe leading Iulus the nymph of Petrarchan influence, vulgar references to poets like Dante, and still others of Greek and Latin authors such as Ovid, Virgil and Claudian (de raptu Proserpinae) . Essential is also the resumption of the orphan which characters find themselves in the behavior of Iulus, devoted to hunting and vowed to chastity as the goddess Diana, and from those behaviors you can leave, according to Poliziano, until the discovery of love and total surrender to it, a dismal prospect of the death penalty, which would meet Iulus with his behavior, this also suggested by the fact that the goddess Diana not only hunting but also is associated with death.
At this point the importance of love is evident in the poem. Not only is the referent of a moral message, but also influence the style of Poliziano, both tending to linguistic perfection through successful union between the various literary styles and a vocabulary very select, how to perfect the work propendente morally and psychologically through love, along with thematic and ideological core of the poem .

Stella Corda

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for the Joust: a love "incomplete"

rooms for the Joust is a poem composed in the vernacular in the eighth by Angelo Poliziano in the second half of the 400 and unfortunately remained unfinished. The author makes it necessary to tell the platonic love of Giuliano, brother of Lorenzo the Magnificent, a Florentine woman named Simone. The protagonist is a courageous character more dedicated to hunting that love, what inspires the jealousy of Cupid, who during a hunting trip in the eyes of Giuliano brings up a great deer. The god, being beyond the reach of the deer hunter, shows the animal in place a nymph dressed in white, Simonetta, divine creature, whom he falls in love immediately. So Venus decided that the young should show values \u200b\u200bin a carousel, but then the work stops.
From formal point of view and based on the original author's intention, according Ghino Ghinassi, the work fits into the tradition in which the celebrated eighth games, rides and races. However, this is only the intention, because the work remained incomplete and therefore the focus is not what the author had in mind. In fact, the rooms are very little related to the genre of narrative poems in the eighth, they do not have clear ties to a particular genre, but mainly represent the personal taste of the author.
After a careful reading of eight octaves of the first book the rooms for the tournament you can understand how Simon, the creature of God, is really comparable to a muse or a goddess is the personification of abstract concepts, like ' honesty or kindness, which is just typical embodiment of Poliziano. And because of this divine character of the woman, Julie lived experience mysticism that leads him to a psychological change: a hunter who despises love, it becomes a hunter in search of love as his prey. Love that therefore has a character of initiation, which represents the transition from adolescence to adulthood. Finally, with regard to style, is far from clear that it is very refined and elegant.
It can therefore understand how Ghino Ghinassi in his vernacular literature in the fifteenth century and the "rooms" of the police can be justified based on the ideas mentioned above, despite the obvious influence not only of Petrarch, but also of other vernacular traditions , from Dante to Boccaccio. It also shows the knowledge Poliziano current of Neoplatonism, using the figure of Venus. The author fails to focus its work on the carousel, as was his intention, does what its title nor a style and follows a very specific kind: there are indeed some influence of current flows, but without doubt it is the author's taste and its absence from any kind of genre that made his eighth, a work worthy of respect and admiration, even though it was never completed.


David Caneo

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Poliziano "between art and poetry"

The rooms for the tournament is a poem written in the eighth by police, with the intent to celebrate the triumph in a carousel of Giuliano De Medici, brother of Lorenzo.L 'work remained incomplete as a result of' murder of Giuliano, a victim of conspiracy ordered by the family of Pazzi.Come Ghino Ghinassi writes in "The vernacular literature in the Renaissance" rooms are part of the formal point of view and intention of the author 'in that tradition that arose in the '400 had used the' eighth of the romances to celebrate with games and gare.Oltre laudatory intent to develop a theme encomiastic 's work is proposes to sing 'Love of Julian against a woman in Florence, Simonetta Vespucci, precisely in this context emerges the Platonic conception of' love, which is part of the part of a rich nature and a mythical world inspired by the classical tradition. There are many cues taken from the past by Poliziano in the composition of the rooms: elements Dante, Petrarch (the identification of the beloved woman with a white deer, already appears in a famous sonnet of the Canzoniere), bawdy and "topos" from classical literature to coexist harmoniously into what is creating a "framework" full of pictures, sounds, colors that suggest the ancient ideal of a life lived in full uniform and harmony with the natural environment circostante.Altri elements clearly derived from the classical data presence of pagan gods who manifest the characteristic taste of the Renaissance to rediscover the ancient tradition in the study, contemplation and moral message and Ritov & behavior that in the classical texts. Of particular note is the figure of Julian, who embodies the ideal of beauty and youth, highlighting the background of a landscape illuminated by the Spring, in which, as he wrote Poliziano reigns humble and haughty, regal and gentle nymph Simon who, with his eyes is able to calm the storm and with his face painted white, softly lightens woodland creatures that all 'round rejoice and sing happy. The composition is the carrier of a learned and elegant style typical of the police, who emphasizes the taste and lively Galliard of ancient tradition, a source of refreshment and intellectual pleasure 's Humanist which aims to' exaltation of the combination of beauty, love, poetry, philosophy and art, understood as the deepest revelation of all wisdom and happiness.


Matthew Sini

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Poliziano Le Stanze di: perfection and imitation

The literature of the fifteenth century is characterized by the second shot from the authors of this current use of the vernacular, with the intent to elevate the level of perfection of the classical languages. The vulgar language is indeed the favorite of the three pillars of the pre-humanist literature: Dante, Petrarch and Boccaccio, are also considered, like the authors classical antiquity, as models to imitate. The largest of these authors is considered Angelo Poliziano, the poet who, in a perspective of research and refinement solitary individual aspires to the formal perfection of the works, which is reflected in the players, such as achieving a perfect psychological and moral edification.
The rooms for the tournament, a famous opera composed by the police during the tournament organized by Lorenzo the Magnificent (police were among the artists of the Medici circle), sum up the literary trends of the period in question.
was customary among the artists use the octave, metrical pattern typical of romances, in compositions that have the order to celebrate games and competitions. The rooms for the tournament, in fact, takes as its compositional scheme Poliziano the eighth, the meter is already being used by Boccaccio in Philostratus. In this regard, Ghini Ghini (author of the book "The vernacular literature in the fifteenth and the Stanze of Poliziano") thought that the police operation as the eighth choice of metrical pattern, arguing that these are home to content that is not strictly narrative, but not entirely celebratory, as would have been if he had indulged the intention with which the work comes to life. According to the
Ghinassi, the work "has its center where the poet had indicated their intention to place it" because the police have neglected aspect encomiastic only announced in the incipit of the rooms, "your brother sing the glorious trophy that makes clear the blood and Julio second branch." The content that instead the emphasis is, by virtue of his literary taste of freedom in composing, are "materials that attracted his taste, that is, all those issues that have come pre-humanist: the rooms are influenced by Petrarch, and there are clear references to the themes of Stilnovo.
In the first book of rooms, Cupid falls in love revenge for Julio, a young dedicated exclusively to hunting and contemptuous of love, Simonetta woman who at first appears in a forest in the guise of a white doe. The detail of the woman who looks like white deer was taken by police from a sonnet of the Canzoniere: "A white deer on the grass-green appeared to me ...." The reference to the compositions of Petrarch was also found in the room where the woman is photographed sitting in the grass (the vegetables, a term that appears in stilnovisti Guinizzelli) this way: "As first youths betook care / somewhat timidly raised her head / then up the hem of her white hand, / levossi foot in a womb filled with flowers. " It looks like the same woman portrayed by Petrarch in the song "Clear, fresh and sweet water "," From 'be' descended branches / (sweet memory) / a rain of flowers 'over' l her womb; ".
The way in which it occurs in approach between the two young men, the type of questions put to Julius Simon, recall the Homeric model of the encounter between Odysseus and Nausicaa in the land of the Phoenicians: the sixth part of the Odyssey, Odysseus speaks in this way: "I bow down, lady: you are mortal or goddess?" is the same question that at first glance also invests Julius "- or whatever you are, sovereign virgin / nymph or goddess (but m'assembri some goddess) ... "She also goes in the company of honesty and kindness, stilnovisti founding values \u200b\u200bof the universe, which are personified in agreement with the theory of Platonic ideas, the thinkers of the second resumed fifteenth century, Marsilio Ficino in particular, that the poet was a student during the university studies.
Taking note of the octaves like that make the rooms are a real container issues and the reworking of material from the literary past, is the argument of justifiable Ghinassi. You can not say that the rooms are within the canons of a particular literary genre, it is certain that on the contrary, they represent much more than an expression of culture and taste for the writer, inspired by the ideal in this of docta varietas, regarded as the most marked character of its entire production.

Francesca Pulido

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Poliziano and Breakfast: a new work and personal

As was tradition, the poems in the eighth , or rooms, were generally typical of the compositions of chivalry, used to celebrate business of kings and lords in games and contests, also taken from the work of intent Poliziano "rooms for the tournament, in which its Renaissance poet aims to celebrate, at least formally, the victory of the brother of Lorenzo the Magnificent, Giuliano in the tournament organized by the same lord of Florence in 1475. Only formally, because in fact, even if the protagonist of the story is Julian (or Julius, as it is called), police are more dedicated to enhancing the power of love (a theme that, therefore, is dominant), taking as inspiration the mythological story of Iulus that, initially scorning the love, can not stand the sight of Simon, a nymph wood, and the arrows of Cupid.

E 'can say, therefore, that the poem of Poliziano binds only minimally to the tradition of the compositions in the rooms. If we find a link with works of the time, catches the eye in the eighth compositions already impregnated with the humanities, in which the narrative is frequently interrupted by digressions mainly of mythological character, a point that was found in the work of police. Both, as we said, the absence of any reference to historical reality and the real story of Julio, is connected to the above mentioned, the idealized and stylization of the characters, especially the Julius and the woman he fell in love, Simonetta: the first, reflecting the mythical archetype of Hippolytus, is a handsome and courageous, devoted to hunting and poetry and the other, looking and God's attitude is like a nymph (recall the classic) and symbolizes the power of of "kidnap" the lover's heart (stilnovistica taking the concept of the woman and her redeeming feature).

does not only here, however, references to this work: in addition to references to classical (Also made by the recovery of some Homeric situations such as the meeting between Odysseus and Nausicaa, which inspired one of the two protagonists of the opera, or the image of the environment that changes your feelings, in this case the presence Simonetta) and sweet stilnovo (of which there are also signs inspiration, in some passages, the Guinizelli and his conception of love that purifies the base man), there are references to Petrarch (Simonetta which is identified with a white deer, the frequent use of oxymorons), Dante (Beatrice as Simon) and the new current of Neoplatonism (Love is the engine of the world). All this does is confirm a principle appellant in the police: the so-called "docta varietas," to which the poet incorporates in his style, making it rich and refined, elements from both the authors of the classical and post classical era than that, as we have just seen.

Not only that, but to show that the link between different art forms (typical Renaissance design), Botticelli seems to repeat in his paintings that Angelo Poliziano gives a description of Venus, Another important character of the poem. Venus, the goddess, as we know and love in ancient civilizations, embodies the beauty that springs from the union of matter with spirit, that is, by virtue of its beauty, promotes spiritual growth (the so-called Earthly Venus, as opposed to celestial, whose function is to spread God's love in the world, according to the distinction which from the Renaissance philosopher Marsilio Ficino), just as Simon against Iulus.

In conclusion, the elasticity of the scheme of the work and the strong reference to other authors, we can say that police have not wanted to bind to a particular genre, his work expresses more like its culture and its taste personal desire to find their own style.

Stefano Testoni

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The rooms for the tournament: Between tradition and inventiveness

rooms for the tournament a lot of police culture and how Dante and Petrartesca Ghino Ghinassi says in his essay is in the tradition typical of the '400 that had used the eighth chivalric novels to celebrate the games and competitions that were held at the courts.
The rooms were in fact made for the tournament organized by Lorenzo De Medici patron and man of culture, as well as lord of Florence, which he saw as tournament winner Julian, brother of Lorenzo.
However, the first author's intention is to narrate in an innovative way, the story of Julio, the main character who discovers another side of himself.
is in fact told the meeting wanted to be Cupid, between the skeptic Julius, who does not believe in love, or not likely to be important to the infinite sweetness that it entails, preferring this to the chase, and the beautiful Simon, Florentine woman who has if all the physical and moral qualities to make any man fall in love.
Poliziano then shows here its artistic depth, taking care of every detail regarding the style used, shows the interest of his predecessors, however, trying to assert his own artistic personality, there is a free use of the word, according to the own taste that goes beyond being tied to a particular tradition.
The love that is sung is a platonic love, love that is the way to reach the absolute good, and what moves the world and Julius can not be interested in this, and it is precisely for this reason that Cupid makes it appear that the deer turns out to be the beautiful Simonetta; All this is sung according to the canons of opera petrartesca, as we see in verses 39-40, "[...] and then up the hem of her white hand, foot levassi filled with flowers in her lap," where there is an explicit reference to Petrarch .
rooms and then they want to express what the poet thinks when he decided to compose, for example, the first time when Julius discovers the existence or importance of a feeling unknown, the existence of an uncontrollable desire to live and a mystical experience in some way that involves a radical change for him, can contemplate the beauty, something very much like a rite of passage, in short, a change of entity not indifferent.


Elisabetta Puddu

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HUMANISM AND RENEWAL

The term Humanism means to identify a literary movement, intellectuals and artists that originated in Italy in the fourteenth century, during which, the man bought a new confidence in himself.
intellectuals took the masterpieces of antiquity as a reference to create their works, studied them and reworked them, became detached from medieval thought. In this profound spiritual renewal and progressive change of civilization, the religious view of life, medieval influence, he replaced another, according to which earthly existence has its own dignity, regardless of an end-worldly man.
humans then devoted to the study dell'humanitas (word with which denote human qualities in themselves, valued and respected regardless of any other consideration) rather than the Divinitas (a term that implies a conception of 'man determined by providence and then located in a religious perspective).
Humanist intellectuals regarded the man as the 'arteficie of their own destiny, which is characterized by an attitude decidedly individualistic.
The main representatives of that literary movement were:
Poggio Bracciolini, who, in his "rediscovery codes in the monastery of St. Gall, "he moved the enthusiasm in research and discovery of classical texts and his love for the past
Leon Battista Alberti, who with the song" Man is the master of its own destiny, 'says classical humanist thought in which man is responsible for his own fortunes and misfortunes;
Angelo Poliziano that "Simon and Julio: appearance and falling in love" taken from the rooms for the tournament, he notes that it is not so important to the context in which the action takes place but rather to cite and refer the reader to poets such as Dante and Petrarch: we see it as his style recalls the one used by the latter Simonetta and how the girl has the same peculiar characteristics of the woman-angel of Dante, with his "golden head" with "white robe and with a charm that could even save man from sin.
These authors are some of the poets who embraced and popularized this new line of thought, which allowed him to save some important papyrus fragments from the neglect of time and offer us the opportunity of their consultation.

Silvia Pinna

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Opera laudatory or mythological?

"The Rooms for the Joust" by Angelo Poliziano is a narrative poem in which the poet intends to celebrate the success of Giuliano de 'Medici in the games set up by his brother Lorenzo the Magnificent, at the peace agreement reached between major Italian powers in 1474, thanks to the diplomacy of Lorenzo himself. The poem then comes
encomiastic with intent, an act that is to praise the talents and enterprise of the characters in the play, following the romance of 1400. E 'written in the vernacular, although many are the influences of many literary styles such as Dolce Stil Novo and style of Petrarch.
During the narration, however, that the story happens to be interrupted by frequent digressions mythological character who are loving and losing sight of the end of the poem to praise the company Giuliano, the theme of the ride and victory are not even treated in fact, while much space is devoted to a description of the first meeting between Julius and Simonetta, compared to a nymph of the classical tradition, and the description of the realm of Venus.
On the other hand the work is incomplete and we do not know how it wished to pursue Poliziano "Le Stanze" that, until the abrupt end, reflect only the literary taste of police personnel.


Giuliana Siddi