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The rooms of the Police and the return of Petrarch reason

"The Rooms for the tournament" is a poem written in the eighth in 1475 by Angelo Poliziano.L 'opportunity for which he was born this was the victory of Giuliano de' Medici to a "carousel" ( or public games), organized by his famous brother Lorenzo to celebrate a successful diplomatic operation, in 1474, led to a major peace agreement between the principal Italian powers.
The work, however, is not intended only as a tribute to Giuliano de 'Medici, but also as a celebration of Platonic love it to Simonetta Vespucci: love it has a vital role in the work, as it acts as "key" through which to open the hearts of the young man who, for the first time, falls in love.
What captures the spirit of Julian in the history and beauty, happiness, and incorruptibility of the girl who looks like a ray of light on the scene of the story.
The description of the girl, who personifies Simonetta, the nature of the spiritual and the carnal Petrarchan poetry: for example you can find the reason of the burning eyes of love in the Forty-room " Folgoron the eyes of a sweet serene, / where Cupid keeps his face concealed, / of the air attract all of the amenities around you, / wherever she turns those love, "which Petrarch 'Clear, fresh and sweet water' said: '[...] where Love co' lovely eyes opened my heart ";
or, to cite other examples, the divine aura (" or what you are, sovereign virgin nymph or goddess , room 49), stance ("the sweet go gentle ") and rice (or sweet talk she or sweet ride ") that Poliziano describes forty-fifth in the room, have very similar features to the lines 55-58 of ' Clear, fresh and sweet water ' which state:" She was born in detention for paradiso. / d So burden ' oblivion / the divine bearing / and 'the face and the words' her sweet smile. "
addition, there are elements of Neo-Platonism of Marsilio Ficino, who believed that love was the foundation of the universe (since it is through it that is the creation) as it appears to have a key role in the work.

Poliziano's style, therefore, combines the various aspects that characterized the culture of his time, blending harmoniously, but not giving up a consistent style and original from this show.

Eugenia Capula